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I’m Ekko. I’ve been blogging since 2001. I started with music, then added some humor and miscellany, and now also write extensively about comic books. These are my lifelong loves.

If you want to submit your music or art for consideration, please e-mail me ekalett@yahoo.com. I read and listen to all submissions, but only review the ones that I really like. I do not review music released on a label that is part of the RIAA. This is an independent site.

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THE 100 BEST SINGLE ISSUE COMIC BOOK STORIES OF ALL TIME: #30-21

Continuing my exhaustive look at the single-issues of ongoing series that are nearest and dearest to my heart.

Remember the ground rules: Single issues, generally done-in-ones (although issues that are part of an arc are okay if the comic can stand alone as well), of ongoing series only (so no miniseries, one-shots, graphic novels, annuals, etc.).

30.  IRREDEEMABLE #1 (2009)

The best book Mark Waid has ever written, and the first time that a psychopathic Superman story is ever bone-chillingly realistic.  No-holds barred, rough, gritty, and brilliant.

29.  THE NEW TEEN TITANS #20

Marv Wolfman and George Perez’s reboot of the Teen Titans is definitely one of the best, and most important, DC comics of all time.  And this issue, which was framed by Kid Flash’s letter to his parents, is the epitome of why.  It’s about family, it’s about friendship and teamwork, and it’s full of action.  I had a hard time choosing between this this and #18, in which the Russian version of Starfire teams up with the Teen Titans to stop a biological threat—a disease sent to the U.S. in the body of a child.  I’m still not sure I picked the right issue between the two.  They’re both great, in their own ways.

28.  X-FACTOR #87 (1993)

Peter David and Joe Quesada’s terrific tale of Doc Samson psychoanalyzing the team.  This book was great for many reasons.  First, X-Factor was basically one long story, so it was hard to find a jumping-in point, and this issue achieved that by telling readers everything important that was going on with the characters without being a “recap” issue and while still advancing their individual storylines.  Second, because it’s all talk—which is really hard to draw—and yet it’s entirely captivating.  And third, because it actually makes good and proper use of Doc Samson.  That ain’t easy to do.

27.  HITMAN #34 (1999)

“Of Thee I Sing,” the Eisner Award winning issue where Hitman and Superman have a debate, and Hitman pretty much wins.

26.  CAPTAIN AMERICA #34 (2008)

The best issue of Ed Brubaker’s seminal, identity-changing run on Captain America isn’t the one where Cap gets killed.  That’s just the one that sold the best.  The best was nine months later, when Bucky Barnes, aka Winter Soldier, finally takes up the mantle after a long arc of espionage and drama.  Why was it so good?  Because Cap was dead, and
Barnes takes on the role not because he needs it (even though it proves critical to his own rehabilitation), but because the world needs it.  He even resists, trying to get Falcon to take it on, but Sam Wilson tells him that this is what Steve Rogers always wanted.  Ultimately, it’s about the love soldiers have for each other and their need to support each other, even past death.

25.  ASTONISHING X-MEN #18 (2006)

Written by Joss Whedon and drawn by John Cassaday.  You shouldn’t need more than that.  But you get it: This is the classic Percy Dovetonsils issue, in which Wolverine is reduced to a terrified, meek wretch. It may be the funniest comic I’ve ever read.

24.  WHAT IF? #34 (1982)

There were many good What If? books in the 1980s, but none stand out as memorable to me.  Except this one.  The all-humor book that was actually funny.  There’s lots of humorous comics, but usually when they become like Mad Magazine—just joke after corny joke—they’re awful.  But this one was gold.  Marvel tried it again a decade later, but it just wasn’t the same.  Lightning only strikes once, I guess.

23.  FANTASTIC FOUR #52 (1966)

Frankly, nearly every issue of Stan and Jack’s run on Marvel’s first comic book family could make this list.  But I settled on two.  This one, which was the first appearance of Black Panther, and another … Which is the best comic of all time.

22.  THE AMAZING SPIDER-MAN #38 (2002)

From the J. Michael Straczinsky/John Romita, Jr. years, this was the issue where Aunt May figured out Peter Parker was Spider-Man, and confronts him with the rags of his costume—tattered during a terrible battle the night before.  The whole issue is a long, emotional conversation.  One of the few comics that brought a tear to my eye.

21.   BATMAN #673 (2008)

Grant Morrison’s Batman saga is probably the greatest long-form comic book ever written, but it’s really hard to include it here.  Every issue has ties to every other issue—it’s a maze that many bloggers, including myself, have written long essays about.

But this is one issue that can stand on its own: “Joe Chill in Hell.”  In it, Batman deals with the demon spirit of the man who assassinated his parents.  Other than Spider-Man, no hero recalls his origin as a motivating incident more than Batman.  No hero is more defined by their creation than Batman.  And Morrison’s take on how the adult Batman deals, psychicly, with his childhood loss, is powerful.

Coming soon: The top 20!

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BERKELEY PLACE’S TOP 25 DAREDEVIL STORIES OF ALL TIME: REVISITED


I love Daredevil.  Love, love, love him.  I’ve read every single issue of Daredevil ever published, in fact. 

He’s also my youngest son’s favorite character.  He’s got a show.  And it’s fantastic. 

I know I’ve done a top 20 DD stories of all time.  (And a top 10 post on Kingpin comics.)  But a lot has happened since I made my first list.  For one thing, I’ve read every single issue of Daredevil ever written since I wrote that list.  For another, Mark Waid, one of the industry’s most innovative storytellers, took over Daredevil and moved the character in a direction he’d never gone before.  And Brian Michael Bendis and Alex Maleev returned to the character with End of Days.  And perhaps most important of all, Comic Books Should Be Good published their “best 75 DD stories” list, based on reader input.  So, lots of reasons for my reexamination.

For giggles, I’m going to also publish in my new list where the book fell in the CBSBG reader poll and in my old list.  Nerd cataloging fun!  As I did this list, I found my old numbers getting really jumbled up.  It’s so hard when you’re looking at stories as great as these to decide what goes where.  So, some of this is really random—based on what I remember right now as I organize the list.

Let’s start with the ones that didn’t make it back into my list, and then launch into the top 20.  No.  Wait.  Let’s make it 25.  Because you can never have too much Daredevil.

THE STORIES FORMERLY KNOWN AS TOP 20 DAREDEVIL STORIES

Daredevil vs. Doctor Doom (Fantastic Four #39-40 & Daredevil #37-38).  Previously: 13; CBSBG: 43.  Lots of people like this one, and the one where DD and Doom switch bodies, but in the grand scheme of great tales, I can’t put these in my top 25.  They are a lot of fun, though.

Pawns of the Purple Man (Marvel Team-Up Annual #4).  I still love this comic, but it’s really a team up with Power Man, Spidey, Iron Fist, etc.  It’s not really a DD story…

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WEEKENDS ARE FOR SINGLES featuring disco-ized classic rock, and Snow Patrol covering U2!


A regular feature: Single songs and covers I’ve heard lately, usually submitted to me, that you need to get your ears on.  Pronto! Before we get to the classic rock, let’s check out Earl Sweatshirt and Action Bronson…


The Dutch Uncles covered Fleetwood Mac’s Go Your Own Way all the way back in 2013, but I just heard it. The line between disco and Stevie Nicks has always been dotted, and this is why. I love this version. In fact, I like it better than the original!

The dance version above made me reminisce over the much bolder choice by Scissor Sisters, in their first big hit–remaking Pink Floyd…

U2’s “Mysterious Ways” had a lot of disco swing to it. Snow Patrol took care of that…

And I’m going to leave you with the weirdest song I’ve heard this year…To the tune of the Seinfeld theme.

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THE DEMON #42

THE DEMON #42 love seat cushions kiss

In his third Demon story and second numbered issue (his first was Demon #40, his second story was Demon Annual #2, and #41 was a fill-in), Garth Ennis introduces a romantic pair of love seat cushions.  I am fairly certain nobody had done this before.  Or since.  And this isn’t even as weird as Ennis’ run would get.

This was also part one of the “Hell’s Hitman” arc, which followed after Demon Annual #2.

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