By request, a repost. I don’t do this often, but for a Joe Strummer fan, I’ll make an exception.

Don’t worry. I’ll be posting more complete shows. But today is devoted to single songs, maybe where I don’t have the whole show or where the whole show wasn’t all that great, or maybe some single studio cut that was never released . . . A to Z. If y’all dig this, I may do the same for The Clash.

Unlike previous A to Zs, this time there’s a zip file at the end and only a few choice cuts individually uploaded. Enjoy.

A is for Afro-Cuban BeBop. A real short cut, sweet and mellow.

B is for The Bobby Fuller Four. I Fought The Law-Joe live. This is probably one of my least favorite tunes when The Clash do it, but on this live version the solos are phenomenal.

C is for another Cover. Blitzkrieg Bob (Ramones)-Joe live. A regular staple of his live act. And unlike Joey Ramone, Joe Strummer always remembered the words.

D is for Dub! Bankrobber Dub-Joe live. It’s enough that it’s rare to hear live dub—but even better: New verses!

E is for evil. HBO used this tune for that horrible John From Cincinnati show, and now I can’t listen to it without thinking about that miserable mess. Johnny Appleseed (synth mix).

F is for Flea! It’s a Rockin’ World-Joe Strummer and Flea, visiting South Park.

G is for “Guitar Song”, also called Guitar Slinger Man. This isn’t great quality, but I’ve only got one copy of it, so I’m figuring it’s somewhat rare.

H is for Hollywood! Joe appeared in Aki Kaurismäki’s “I Hired a Contract Killer” playing this song: Burning Lights. It’s just him and his guitar.

I is for Ishen. From 11/2/99. A great reggae style tune.

J is for just Joe. Return of the Blues Cowboy. Joe, a piano, and a straightforward country blues tune, from the great Jools Holland show.

K is for the keyboards in Forbidden City (11/6/99). A very simple song, from Joe and the Mescaleros’ Rock Art and the X-Ray Style record. I like this version because of the keyboard breakdown at the fadeout. Cool jam.

L is for London Calling. A live solo version, where you can really hear the words.

M is for Movie Soundtrack. In The Pouring Rain is from the movie of the same name, and it’s got a recorder in it! (No, it’s not a great song, but still–bet most of you don’t have it.

M is also for Moses. Get Down Moses. A live version from 2002, delivered like a psychotic Southern preacher.

N is for Nothin’ About Nothin’ (11-2-99). A live version of a track off the “Permanent Record” long-player. This is a great song—one I wish he’d done with The Clash.

O is for an oldie! A somewhat brief bit of Joe at the piano doing Let The Good Times Roll.

P is for Police and Thieves. Musically, there may not be a huge difference between this version and the studio version by the Clash, but Joe’s voice is in rare form here—crisp, clear and fresh. Excellent quality from 10/17/01.

Q is for quiet. A soft version of The Clash classic Armagideon Time from September 1982.

R is for Road to Rock and Roll (acoustic version).

S is for The Specials. A Message To You (live, date unknown).

V is for Victory Lane. A foray into spoken word over music. I dunno about you, but I’m not a fan of Ghetto Defendant for the same reason I’m not a big fan of this rarity.

W is for Walk On The Wild Side (Lou Reed cover). Joe used to cover this tune a lot. He doesn’t do better than Joe on it, but this version has a violin. So check it out.

W is also for Whiteman in Hammersmith Palace. It’s my favorite song in the history of the world, I can’t think of anything for Z, so this is what I’m putting up.

X is for X-Ray Style 11.16.99

Y is for Yalla Yalla.

Z is for ZIPFILE!

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