With her own book cancelled, Spider-Woman’s dangling plot threads have to be resolved elsewhere. It’s weird seeing Zeck draw her—his characters have broad shoulders and massive upper bodies, and although Spider-Woman is known for her chest, it’s typically not been about the musculature.
In any event, she’s been looking for Viper, who she thinks is her real mommy, but she learns Viper is not her mommy after all. Simultaneously, Jack Monroe, who served in the 1950s as a Bucky to that decade’s Captain America, who has also been frozen in stasis and was recently released by SHIELD.
They fight Constrictor, who is now employed by Viper, and Cap gets captured by Hydra. They mess with his head about daddy stuff, making him hallucinate and believe his dad is still alive. Meanwhile, Bucky looks for help from Sam Wilson, who is done being Falcon and wants to be a Congressman.
It’s an odd exchange, where Bucky calls Sam “black man” and Sam recalls how racist Bucky was in the 1950s. It’s odd because other than this exchange, Bucky is portrayed as a redeemed soul looking to be a hero—we don’t see him acting like a racist anywhere else.
In the end, Nomad kills Viper by shooting her hot air balloon. I know it’s not cool to kill, but if you’re a supervillain making a getaway like the Wizard of Oz did, you get what you deserve.
Interesting parallels here between Spider-Woman looking for mom, Bucky looking for his mentor, and Cap dealing with father stuff. Unfortunately, the Spider-Woman stuff is nonessential to the Cap story, which is really about Nick Fury giving Jack Monroe Captain America’s old Nomad gear and having this new Nomad go rescue Cap from Hydra.
Still, cool to have Nomad back!
Also, it’s worth noting that Bernie is one of the best side-characters of her time. This little scene where Steve gets insecure thinking she slept with fake-Steve during the previous arc is so sweet and cute.
A bit of “get to know the creators” trivia from the letter page.